When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies.
Then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God!
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When she reached the first hills of the Italic Mountains, she had a last view back on the skyline of her hometown Bookmarksgrove, the headline of Alphabet Village and the subline of her own road, the Line Lane. Pityful a rethoric question ran over her cheek, then she continued her way. On her way she met a copy.
Icona Pop is a duo all the way from Stockholm, Sweden. Caroline Hjelt and Aino Jawo deliver pop music that seems second nature to most Scandinavians.
Upon first hearing Manners you get it all – clapped beats, fizzy electronics, cute female vocals and a Sesame Street chorus. It’s verses are like the narration of a teenager’s diary, before the youthful confidence comes storming in, “take a second look and you’ll see, there is no one like me”. It’s a punchy pop song that has a wonderful blend of obvious hooks, big choruses and a chart-ready appeal, yet it’s still drenched in buckets of ice cool undertones.
Filmed on May 5, 2010, a mostly first-person chronicle of the day’s events leading up to a performance in Wollongong, Australia. Shot on Canon 5D mkII with 50mm 1.2 and 24-70 lenses.